Taken from their third studio album, Inflorescent, Love Like Waves is the seventh single of the record and at only four and a half minutes long and it is undoubtedly a great song. It is definitely one of those type of songs for the summer playlist. As always Ed Macfarlane’s voice is both completely magnetic and smooth and just draws you right into the song, as always, a great listening pleasure. Love Like Waves is a great fusion of dance and pop with some electronic beats thrown into the mixture. Another one you can see yourself moving to on the dance-floor. Ed has one of those voices that fits into the dance music scene with hardly any effort at all and has a wide vocal range which he uses with complete confidence. The line, Love Like Waves, weaves in and out of the song in a smooth and melodic ease.
The video accompanying this song has that summer holiday feel to it as when it starts you are already in what appears to be like sunny Spain or the Mediterranean. It just has the look and feel. Throughout the video the see clips featuring various other people, including members of Friendly Fires reclining, enjoying the sunny weather mixed with the band doing a live gig with people dancing to the music. Now for a band that haven’t released any new material in over six years this is much anticipated welcome back to Friendly Fires and their music. Long may Ed and the gang continue.
After nearly what feels like over a decade away indie favourites, Friendly Fires, have returned with a new album called Inflorescent and brand-new single called Heaven Let Me In. Straight from the start the song is just packed with energy, and a lot of it, and stays faithful to the bands’ musical roots. What I like about Ed Macfarlane’s vocals throughout this entire song is that every so often he sounds like he’s taking a deep breath, which in some ways adds a bit more body to the song. Also, I quite like how he sings cos it shows the range of vocal ability that he is capable of using. Heaven Let Me In shows a steady continuation of their music and how it is gradually evolving. A nice mixture of pop and dance, and plenty to go around. One of the good things that we can be grateful about is that, musically, the band haven’t taken a sudden U-turn and gone into a completely different direction. Ed’s vocals a smooth and have an almost hypnotic quality about them and just have this beautiful fluidic run about them that goes from start to finish. The song has an almost ambient feel to it which kind of compliments the band’s own musical style. For a band that have been out of the musical spotlight for what feels like just over ten years this song is a nice welcome back.
The music video that accompanies this features a young guy listening to music on his headphones, presumably the song itself. In the video he is seen walking along whilst dancing to the music whilst going past various locations and bumping in various people on the way.
The night was young, the stage lights lit up and main stage, the night was young (ish) and the crowds gathered in the masses with pure excitement. Blood, sweat and adrenaline was rising, apart from the summer temperature. 80’s rockers, The Cure made a much anticipated return to Glastonbury, some 29 years since they last headlined back in 1990. And it’s worth noting that they headlined some fours years before then back in 1986, making them the second (or third) band to have headlined all THREE DAYS. Impressive. Front-man Robert Smith opened the set with Plain Busy before continuing their set with numerous hits such as Never Enough, Disintegration, Push, Love Song, The Walk. Between some songs Robert found the time to talk to both the crowd and fans alike. What is fantastic about the band and tonight’s performance was that they appealed to fans and music lovers both old and new. Even after all this time the band are as on-top and incredible now as they were back in the 80’s and early 90’s. The Cure can do no wrong and Robert Smith can still pull off his infamous long. Towards the end of their set they performed two of their biggest hits to date, Friday I’m in Live and the ever well-known tune Close to Me. The band ended the night on Boys Don’t Cry. All I’ll say is that The Cure were definitely worth the wait and you can forgive these guys for a long absence.
Other live performances on today were Maverick Sabre who never fails to impressive, Christine and The Queens who, quite frankly, is always welcome, as is Friendly Fires. A welcome addition to the live line-up was Billie Eilish who impressed the crowds with her latest track Bad Guy.