Just Something on My Mind…

I’ve occasionally asked myself that when comedians such as Francesca Martinez, Liz Carr, Rosie Jones and Alex Brooker joke about their problems, why can’t non-disabled comedians do the same?

 

I SAW Francesca Martinez on Live at The Apollo on t.v the other day, and during her routine she made jokes about her problems which got several laughs from the audience. During her routine though I began to ask myself a couple of questions; the first being that when people who don’t have any form of disability make jokes about those who do it turns into immediate outrage along with a furious backlash on social media, yet why is it acceptable when those with problems do it? The other question that sprang to mind was that if those with problems can mock themselves then why can’t non-disabled people do it? Just curious to know, that’s all.
Now before you go down the hell have no fury route, or similar routes, let me just point something out to you; I’m autistic and I live with a disability known as Asperger Syndrome which I a mild form of autism. And yes, I openly admit that once in a blue moon I referred to myself as a ‘spastic’, but only in the example terms or whenever I am mocking myself.
Back in 2007 Heat magazine apologised to glamour model, Katie Price, over one of their free giveaways when it featured a sticker with her son, Harvey, with a speech quote ‘Harvey wants to eat me’. Understandably Katie was furious with the magazine, as were many of the publication’s readers. In 2010 another controversy ensured when controversial comedian, Frankie Boyle, made a remark about Harvey during an episode of his Channel 4 show Frankie Boyle’s Tramadol Nights.
Whenever I look at episodes like this, as well as others, one thing that it always sparks off is the whole issue within regards to free-speech, what is deemed acceptable and what isn’t when it comes to live comedy, sketch shows or satirical programmes. Another thing that I always find is that there are some people who seem quite content and claim that how the comment or the joke hasn’t harmed anyone. Others would say how people need to get over it and stop being so mardy. Looking back over the past couple of decades we’ve always had this debate within regards to free-speech and expression whenever it comes to stand-up comics and the material that they do.
Now I openly admit that I am a supporter of free-speech and expression as much as the next person but what I also know is that you have to take responsibility for what you say and do as well. In a way it’s a bit like the line in Spiderman ‘With great power comes great responsibility’. Sure, we’re supposed to be living in a country where we’re able to say what we want, do what we want etc but at the end of the day we can’t void ourselves of our individual responsibilities either.

However, going back to comedians who mock themselves. Whenever Francesca does her set, she frequently refers to her disability in a self-mocking way cos in way, or as I see it, it’s a way of owning the so-called tag and reusing it in another way. During my life there have actually been times when I’ve been mocked for my disability and it’s left me feeling upset and annoyed, and yes it was from people who I didn’t like. Yet whenever I do it to myself, I don’t feel any upset whatsoever.

So, this all in all, has left me wondering in theory that maybe why people with disabilities mock themselves cos it’s a way of finding the humour in their problems, and also because it’s coming from themselves and their nearest and dearest there’s no cold-hearted malice in it. However, this still leaves one question that will every so often will rear its head whenever things like this rise up again; if disabled comedians can mock themselves, why can’t comedians with no disabilities or problems do the same?

MacMillan Fest 19′ various venues, Nottingham 7/9/19

 

At 1pm on Saturday afternoon the crowds gradually poured themselves into the infamous music venues, Rock City Basement, The Albert (formerly Spanky van Dykes), Stealth, the Red Rooms, Tap ‘n’ Tumbler and the Rescue Rooms. Saturday the 7th September 2019 marked the day that the legendary MacMillan Fest put on its last ever event. The MacMillan Fest is a charity gig for the MacMillan Cancer charity cause and had been running since 2010 and had quickly become part of the fixtures for popular music events in and around Nottingham. Over the course of its 9 year the event had attracted the attention of some of the biggest names in the music industry such as Eyre Llew, Bleed from Within, Evil Scarecrow, Shapes, Black Peaks, Jet Black, Savour the Kill and many, many more.

 

In terms of you got a fair amount of rock variety rock metal, acoustic, electro and a bit of screamo thrown in for good measure. Overall, an avid rock fan’s paradise

 

This year saw the return of band favourites such as With Tripper, Lycan, Vanity Box, Patriot Rebel, Matthew Moore and Cotton Mouth as well as new artists making their first (and sadly their only) appearance, Joey Collins, Myles Knight, Invisions, Wilted Flower and Widows.

 

Music fans who came from all areas Nottingham, even those from further afield, were treated to a selection of stalls offering alternative clothing courtesy of Hit or Miss and Alibi Clothing, whisky stalls and jewellery. There was even a food stall offering sweet and savoury crepes, yum-yum. I had 3, bit greedy I know but I was hungry. For the festival goers who like to dare two of the stalls consisted of henna body-art and another where you could either have your hair shaved or body waxed using wax-strips. Yes, there was a fair few brave individuals who braved a waxing for charity.

 

Going around each of the venues was a bit like going on a musical merry-go-round, a tiny trek between venues but totally worth if to go and see new bands come and perform. In each one the rooms were full of people and some there were fists flying in the air and the blood, sweat and adrenaline was going to the roof. Going to other areas the hype was less intense and you could sit down to enjoy the performances. If you went up the Red Rooms which were above the Tap & Tumbler you got the odd gig where the lead singer occasionally took the performance into the crowd.

 

Starting the musical extravaganza off Matthew Moore in the Rescue Rooms along with sets by Witch-Tripper, Eyre Llew and SHVPES. No shortage of crowds in the building.

Over at the Rock City Basement, which underwent an impressive refit since my last visit was Widows, True Colours, Lotus Eater, Invisions and Oceans Ate Alaska. Seriously, they knew how to get the crowds going. Blood, sweat, adrenaline and crowd-jumping ahoy.

Upstairs in the Red Rooms Take 96, My Pet Favxes and Ava Saint entertained the room. Some great artists there.
Halfway across the building in Stealth as Lycan, Veridian, The Five Hundred and Street Solider. Seriously, that venue has hosted some incredible bands.

 

Around the corner at The Albert’s was Cotton Mouth, Patriot Rebel, Crosslight and The Kut. Both levels of that place were one huge rock metal and adrenaline ride from start to finish.
In the main acoustic bar people were treated to solo musicians such as Wilted Flower, Joey Collins, Myles Knight and George Gadd. Matthew Moore, who had performed with his band in the Rescue Rooms took a slot at the last second and performed an incredible solo set. No matter where you went, there was always something worth catching.

 

However, by 9pm much the crowds gathered for one of the big finales at the Rescue Rooms where Nordic Giants put on an amazing, show-shopping performance. One of the best ways I can probably describe it as is a sweeping, sci-fi electronic landscape straight from an ahead-of-its-time film/novel. The opening sound was of an apocalyptic feel where you just know something big is coming.
Overall it was a fantastic day that was absolutely jam-packed with music, food, drink, henna and trinkets and fun for all. That just leaves me to say thank you to MacMillan Fest for some incredible weekends and everything you have both done and achieved, all in the name of charity. Sad to see you go

Just Something on my Mind…

If we claim we care about others, why do we enjoy seeing mental breakdown’s people enduring a public fall from grace?

 

SINCE reality TV hit our screens and became such a monster hit, why do we as people, fans and viewers take such delight in watching others endure mental breakdown’s and public upset? Let me give you a quick example of what I’m on about; if you remember watching Big Brother you got all sorts of characters with various sorts of personalities, and I think it’s fair to assume that the producers somehow hoping for some sort of Clash of the Titans-style personality clashes. For instance, do you remember Nick Bateman, or Nasty Nick as the tabloids called him? He was the first contestant to be removed from the house for cheating and attempting to rig votes.

Now because of what he did and how he manipulated people we, both as viewers and fans, were all too happy to see him endure a public fall from grace and become a sort of panto villain. Though I’m not sure whether the infamous panto villains themselves quite got a public backlash as he ever did.
I openly admit that in some ways I am as guilty as charged as anybody else would be. Not long after the news broke out, I remember talking about it on the phone with my sister, who also took great delight in telling me how she’d defaced a front cover of a tabloid paper with Nick’s face on it with devil-like features. Every time I saw pictures of him in the months that followed, I looked at his face with vitriol claiming how he deserved any abuse he got.
Going back to 1999 to the BBC t.v series, Castaway 2000, it’s the show where a group of people were selected to live on the remote Scottish island of Taransay to make a small community for whole year. One of the people on the programme was a guy named Ray Bowler, and one of things that we pretty much remember him for was his aggressive outbursts. In my naivety, and due to the footage I saw of him, he just came across as an aggressive guy who I wouldn’t want to be in the same room with. Looking back at now I think it must have been quite upsetting for his family to see him portrayed as a constantly angry guy who just seemed like he was ready to raise a fist to anyone whenever he temper flared. For all we know he was probably a decent guy for whom it had become too much for. And all because of the mechanics of reality tv and our joy in watching his frequent shout-fests we just saw a man type-cast as an aggressive man.
As avid reality-t.v obsessives we don’t seem to be quite helpful in these sorts of situations, especially where the supposed entertainment-factor is. If anything, we seem to want more of it. As though we can’t seem to get enough of other peoples’ misfortune.
Now another programme I’m not a fan of in anyway is The X Factor, especially in its early days. Contestants who were hungry (or desperate) for a shot at fame went before the judges and did what they could to secure a vote and be liked by the viewers. However, the moment humiliation begins we just begin to find some sort of pleasure in watching some poor soul be publicly slaughtered, for all the nation to see. A few years ago, I remember seeing footage of a young male contestant doing whatever they could to impress the judges enough to be selected. Sadly, the guy wasn’t chosen but what happened afterwards, I think, looked almost unbearable. The infamous rejections from the judges began then escalated into a heated war of the words and swearing. The man in question then ran off stage, barging past the two co-presenters in the process in a state.
For as much as I don’t know the guy in question, I just remember feeling quite sorry for him as when he ran off the stage there was a tidal wave of laughter from the audience. I mean, to suffer a small embarrassment before your friends and family is one thing but to suffer total, soul-destroying humiliation before an entire crowd is quite another. Yet all made worse knowing that millions around the country observed it to.
Something we really need to ask ourselves is if these shows have a negative impact on someone’s well-being, what pleasure are were actually getting out of it, and is it really worth it?

MusicNotts Talks With… 94 Gunships

My penultimate piece for MusicNotts with Nottingham’s own 94 Gunships. Have a read and enjoy.

http://musicnotts.com/musicnotts-talks-with-94-gunships/

 

In Conversation With… Tori Sheard

The first in a new series for Whats On Guide. This one’s with Nottingham’s Tori Sheard, have a read and enjoy.

https://whatson.guide/2019/09/04/in-conversation-with-tori-sheard/

 

Just Something on My Mind…

If I could think of a song to sum up the last two years it’d be Spaceman by Babylon Zoo

 

SO, we’re getting into the Autumn season now, basically past the half-way mark in 2019 and in terms of politics, social issues, security and other issues etc the only way I can describe it is one great, big messy scream-fest. By all means, feel free to disagree to any extent but I’m just calling the situations as I see them. Now you could say that all of this started as a result of Brexit, but I think you’d be hard-pressed to remember that much of this has been going on since way before then. If anything, Brexit either added voices to the tidal wave of screams or just re-ignited some rather loud voices.

If I was to think of a song that could sum up pretty much everything that’s been happening for the past two to three years it would be Spaceman by Babylon Zoo. Yes, it’s a weird choice. I mean why chose a song that was used back in the 90’s for a jeans advert? But hold on a second whilst I explain a supposed meaning behind the song. I remember reading an interview some years back about the song and how it is supposed to be about what an alien would possibly think if they were to visit earth and with everything that is currently going on. I saw the music video on TV the other night and as I paid particular attention to the lyrics I just remember thinking about the irony behind the meaning when you consider what’s been happening in the news lately.
For instance, let’s have a look at what has happened since 2016. We have had the vote on our membership with European Union, the presidential campaign in America, problems in Russia and other parts of Europe, members of the SNP continuously going on about Scottish Independence and the rise in hate-crime.
When the presidential election campaign happened, it was Hilary Clinton verses Donald Trump. Now the whole thing seemed to get not only ugly, but somewhat misogynistic as well from what I can recall seeing. I remember being somewhat disappointed by Trump, especially by the language he used when describing Hilary as some of it looked like character assassination. And she didn’t resort to such low tactics. But I can remember feeling disappointed by the people who voted for him as he just seemed to stirring up no end of rhetoric which many just seem to swallow.
In many ways it just seemed to be the same here in regards to issues surrounding Brexit, homophobia and Islamophobia. You had groups of both far-right and religious zealots who were semi-educated and protested against numerous social issues without knowing either the all the facts. For further examples look at what happened at the primary school in Birmingham. When the No Outsiders project was introduced many parents accused the school of trying to turn the children gay.
In the past couple of years alone one thing that has been brought into being was the surge in so-called ‘fake news’, which was a term mostly used by Trump. Particularly when he was being challenged to certain statements. Something that I have found myself asking every so often is that why this term, or excuse, is used. Is it because those who have been called into question have realised that things they’ve said, or reports that are linked to them are either fake, or is it because they’re genuine and they’re worried that they’ll be found out?
To me it’s almost like a spectrum. At one end you’ve got people who seem to say anything to get attention, haven’t a clue what to do and just shut down anyone who tells them differently. Whereas at the other end you’ve got those who actually know what’s going on and are trying to offer actual solutions but are just shouted down by those who remain clueless.

MusicNotts Talks With… Crosslight

A piece I did with Nottingham’s answer to Evanescence, and they’re a six-piece band, you don’t many of those these days. Read and enjoy

🙂

http://musicnotts.com/musicnotts-talks-with-crosslight/

WhatsOn Column: Living Life in Two Minorities

This column debates what it’s like to live in two minority groups and the some of the issues surrounding it.

https://whatson.guide/2019/08/13/column-living-life-in-one-minority-try-living-life-in-two-and-at-the-same-time/

Tori Sheard + Kelsey & The Embers and Olly Henby @TheBodega, Nottingham, 22/7/19

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At 7pm the crowds gradually gathered in small masses into the Bodega Social on Nottingham’s Pelham St and straight up the stairs to the main venue area. The Bodega Social, better known as The Bodega, has played host to several local and nationwide artists and has even provided a platform to new up-coming artists. The main lights went out, colourful spotlights lit-up the main stage, even the mirror-ball which hangs from the ceiling helped build up the atmosphere, then the excitement of the crowd began.

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An eager silence swept across the room as Olly Hensby took to the stage to perform his acoustic set. He is an incredible artist who music is a fusion of blues and jazz and has an amazing voice that strikes all the right notes. The man sounds like an American export and has a smooth melodic voice and he’s only 21, yet he sounds ten years older. During his set he did a mixture of originals and covers which impressed the crowds. There was a lot of love for him and he was a treat on the ears. At the end of his set he did a duet with a musician buddy which combined R&B and rap can Underwater. An amazing song, with a political underlying message to it. For some reason those sorts of songs always manage to hype the crowd, and this one certainly did. Up next was Nottingham’s very own Kelsey and The Embers

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An interesting two-females-and-a-male-trio, and you don’t get many of them around today. The lead singer took a few moments to let the crowd know that they are in fact a four-piece band but their fourth member’s currently in America. Crowd anticipation was steadily rising as was the adrenaline and the crowd was getting even closer. Non-the-less they got the audience going by starting with a cover-track. Covers aren’t always an easy thing to do especially when done live but these guys pulled it off with hardly any effort. Kelsey and The Embers impressed the crowd with their set which of original material and they absolutely loved them. Eventually it was 9 pm and the moment had come, crowd anticipation was on the rise and you could smell the adrenaline getting higher. The moment had now come when Nottingham’s own Tori Sheard came onstage and made her presence felt the crowd went wild and cheered in excitement for her

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This was the first time that Tori had ever headlined a gig in her life and tonight she lived up to the expectations. As a female artist she has an incredible voice and sounds older than her years, and she’s only 21 years old. To have a voice like that at her age is just amazing and she can both command the stage and wow the audience with complete ease. If it can be said freely, she has an almost rock-goddess quality the moment she takes to the stage. Tori treated the crowd to a mixture of fresh original material including songs from her current EP, ‘Edge of the Earth’. Her music is a perfect blend of ambient, folk and rustic mixed with some indie undertones. Tonight, was a superb night and all three of the artists on tonight were just sensational and put on an amazing set, absolutely brilliant.

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Other photos from the night